![]() ![]() You can bring those into FCPX and optimized, but in my testing, creating optimized media of MTS files in FCPX, doesn’t work perfectly with every MTS file. It’s 8.06GB, so 2.5 GB larger because of transcoding it’s 6 channels of MTS/AAC audio to uncompressed. It is now as it should be a single 42 minute clip from the recorded lecture. If you dig in you’ll see your files sizes are slightly larger than what was on the camera card, but that is because of uncompressed audio.įigure 2: The AVCHD bundle that contained the above MTS files, but now imported via FCPX import. Using the Import window, FCPX will wrap them in a mov container and also transcode the audio intro straight PCM audio so it plays back as smooth as butter. If you are first copying a card to a drive, then make sure you get the entire folder structure of the card, or use something like excellent Hedge for this task. If your coming straight from the card, its easy. Fortunately FCPX will do all this transcoding automatically on import of AVCHD! Sweet, that is if you use the Import dialog. Therefore, you need both Audio and Video to be rewrapped and or transcoded from a MTS file, as well as injecting metadata – timecode for example. In MTS, Audio is as much as a problem as video. ![]() In FCPX it make LOOK like it is playing back a few files efficiently, but try to deal with more than a handful of shots and you will enter molasses land. Both audio and video are efficiently stored in there… but almost no NLE can play them back completely efficiently. MTS are h264 (well at least in theory) as well as compressed audio. The elements in the AVCHD bundle is not designed to be separated - there is essential metadata in there, for example MTS files are NOT shots but rather elements of shots - if you have a long shot it will be divided into multiple MTS. Mpeg Transport Streams are part of the AVCHD bundle, and they belong in the bundle, not separate if you can help it. If you ever find yourself with MTS files realize you probably shouldn’t have them. Bring them into FCPX and sure they play… sorta. But only a bit.** MTS files are enough to make a FCPX editor cower in the corner. So here they are in no particular order: MTS Files = Media Transcoded by Satan** So after good amount of sleuthing I discovered a few issues and tips. FCPX crashing, being as slow as molasses and not able to share (export). The time now is 01:32 PM.I have heard from colleagues of their trouble with AVCHD media, shot on the sony FS700 in particular. Download the free trial today, and let us know what you think!Īll times are GMT -6. We can’t wait for you to try EditReady, and we’ve got big plans for the future. Going from H.264 to ProRes is faster than ever before.ĮditReady isn’t just about transcoding - it can apply LUTs to help grade footage, edit metadata for consistent workflows, and even do framerate conforms for beautiful slow motion. Whether you’re shooting with cell phones, GoPros, or digital SLRs, or if you’ve got a large amount of archival footage, EditReady can help you.īehind a beautiful, user-friendly interface, EditReady packs the fastest transcoding technology on the market. EditReady simplifies the process of getting a diverse set of QuickTime source media into edit-friendly formats like ProRes and DNxHD. It's finally here! After lots of work, we’re incredibly excited to announce the availability of EditReady, the first video transcoding app designed from the ground up for 21st century post production workflows. ![]()
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